Visualizing and Sonifying Scenes of Potential Future Urbanism in Shenzhen's Sea World in “High Sections / Low Leaps”
Marcel Zaes Sagesser, Tristan Braud, Gyuwon Sylvia Lee, Zhen Wu
VINCI '25: Proceedings of the 18th International Symposium on Visual Information Communication and InteractionArticle No.: 76, Pages 1–2, December 2025
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The Rhythms & Materialities of Contemporary Urban Nightlife in China: Approaching Everyday Culture Through Creative Media
Ziye Chen, Marcel Zaes Sagesser, Enza Migliore
VINCI '25: Proceedings of the 18th International Symposium on Visual Information Communication and InteractionArticle No.: 67, Pages 1–5, December 2025
doi
Noise in the High-Tech City: Listening to Shenzhen Through a Participatory Phone-Based App
Xuehua Fu, Sihui Li, Marcel Zaes Sagesser*
Conference: 11th Convention of the European Acoustics Association Forum Acusticum / EuroNoise 2025, , DOI: 10.61782/fa.2025.0612, December 2025
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Listening to the High-Tech City and its Vehicles: Auditory Perception of Electric Vehicles Embedded in Shenzhen’s Urban Soundscape
Qiuya Xiang, Zhaorui Liu, Marcel Zaes Sagesser*
Conference: 11th Convention of the European Acoustics Association Forum Acusticum / EuroNoise 2025, , DOI: 10.61782/fa.2025.0334, December 2025
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Auditory Materiality: Exploring Auditory Effects on Material Perception in Virtual Reality
Bocheng Zhong, Seungwoo Je, Marcel Zaes Sagesser
2025 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW)
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Soundwalking with AI: collaborative creativity as embodied learning
Martim S. Galvão, Marcel Zaes Sagesser
Frontiers of Computer Science, 16 July 2025, Sec. Human-Media Interaction, Volume 7 - 2025
doi | open-access link
Can We Still Hear the Ocean? How the Artifact Q4 #101 Translates Shenzhen Underwater Recordings into an Interactive System.
Marcel Zaes Sagesser, Enza Migliore
Companion Publication of the 2025 ACM Designing Interactive Systems Conference. Association for Computing Machinery, New York, NY, USA, 169–174. 2025
doi
The Grain No. 12/11 W4 102 1 From the City: Integrating a 3D Model with Audio Data as an Experimental Creative Method
Enza Migliore, Marcel Zaes Sagesser, Yujing Ma
International Symposium on Visual Information Communication and Interaction (VINCI), Taiwan, Conference publication, 2024
doi
A Grain Of: Integrating a 3D Model with Audio Data as an Experimental Creative Method
Enza Migliore, Marcel Zaes Sagesser, Yaohan Zhang, Yujing Ma
International Symposium on Visual Information Communication and Interaction (VINCI), Taiwan, Conference publication (artwork pdf), 2024
doi
I Light U Up: Exploring a New Emergent Narrative Paradigm through Physical Data Participation in AI Generative Experiences
Wu, Z., Wen, R., Sagesser, M. Z., Ma, S. Y., Xian, J., Wu, W., & Braud, T. (2024).
SIGGRAPH Asia 2024 Art Papers, 1–9.
Conference publication, 2024
doi
Metric Displacement: The Sound of Network Friction
Brian House, Annie Aries, Marcel Zaes Sagesser
The Journal of Media Art Study and Theory
Journal article, 2023
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Mediating Place as Staging Time in “Setting”: Sonic Interactive Mobile Technology as an Art Performance
Marcel Zaes Sagesser
In DIS Companion ’23: ACM Designing Interactive Systems, Pittsburgh PA
Conference publication, 2023
doi
Listening Through Technology: an Interactive Sound Walk for a Suburb in Shenzhen
Marcel Zaes Sagesser and Binghuang Xu
In 12th International Conference on Design, User Experience and Usability, HCI International (HCII)
Conference publication, 2023
doi
A Grain of: A Multimodal Representation of the City’s Ecology Through Material and Sound
Enza Migliore, Marcel Zaes Sagesser, Hanyu Qu
In Tangible, Embedded, and Embodied Interaction (TEI)
Conference publication, 2023
doi
Rhythms, Textures, Identities: Folding as a Technique in Kyoka’s Signature Sound
Marcel Zaes Sagesser
In IIPC International Insitute for Popular Culture, IASPM South Korea
Conference publication, 2023
link
A Digital Archive of Participatory Location Rhythm Performances: Listening as a Way of Attending to the Pandemic
Marcel Zaes Sagesser
In Sounds of the Pandemic: Accounts, Experiences, Perspectives in Times of Covid-19
Focal Press, Waltham MA
Chapter, 2022
#otherbeats: A Hypermediated Playback System in Web Audio
In ICMC International Computer Music Conference (ICMC), Santiago, Chile
Conference publication, 2021
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#otherbeats: Performing a Participatory Archive of Social Rhythm
Marcel Zaes
In New Interfaces for Musical Expression (NIME), Shanghai, China
Conference publication, 2021
Within the Grid: Inquiries in the Socio-Rhythmic Ambiguities of Mechanical Time
Marcel Sagesser
Brown University
Ph.D. Dissertation, 2021
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The Material Politics of Techno Punk
Marcel Zaes
In Sampling Politics Today, Norient Sound Series 1
Norient, Switzerland
Essay, 2020
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Schnittmuster in der Populären Musik (in German)
Brockhaus, Immanuel, Michael Harenberg, and Marcel Sagesser.
In Inside The Cut. Digitale Schnitttechniken und Populäre Musik. Entwicklung – Wahrnehmung – Ästhetik, Transcript, Berlin, ISBN: 978-3-8394-1388-3, Chapter, 2010
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